A full two hours of beats & breaks!
I should probably also mention its the only studio visit I’ve been invited to this year.
However being a real fan & follower of BÄST’s since the mid 90’s, I was excited to go over there to take pictures of some of his collage works for the next volume of my book Stickers. I also respect how he's not interested in being a celebrity art-star, he stays anonymous & simply makes emotive art that is beautifully ugly. Below are just a few of the hundreds of works I got to see.
Its very rare that the planets (or moods) align that all 4 Burkeman’s will actually agree to go on a suggested weekend outing. However on this rainy Saturday morning Tom Sachs had the power motivate us. I’ve been taking Max to various exhibitions of his since he was very small. The last one, Mission to Mars, being the best publicly funded art event I’ve ever been to, but this was the first time we’ve done one as family.
The show itself is great & has lots for everyone. Its like a mash-up of American pop culture, NASA artifacts & Japanese historical references. The exhibition has both large impressive works & many of what Tom refers to as “nuggets”, his small sculptures.
The title "Tea Ceremony” refers to the traditional Japanese ritualistic procedure that many of the works focus on. There are some dates when Tom will actually be there performing the ceremony himself for people who can sign up in advance.
Even without the Tom Sachs art, The Noguchi Museum is well worth a visit. But right now it's a win win. Go before July 24th. Here's INFO
Bigger child next to NASA suite to show scale.
Also some not so pretty pictures that I liked too..
Kris Martin (not the singer AND not the American artist Kris Martin)
fractured personality selfie (forgot who made the piece, sorry)
Mike Simi (We are now the proud owners of this fine work)
A two hour eclectic mix mixtape of new treasures.
As always the band were so tight, it feels like these guys grew up playing together. The fact that Max & I had been hooked up with front row seats didn't hurt the vibe either.
What's weird though, was In all the years I've been going to shows (which are too many) this was without question the widest spectrum of ages I've ever seen at a gig. Being 15, Max was definitely among the youngest, but there were lots of college kids too. The real shock was at the other end of the age scale - I swear I saw several couples way into their late 50's and 60’s, & maybe even a 70 year old or two. I totally knew the band was finding an audience in their 30’s & 40’s, due to sonic similarities of music that was huge in the 1980’s - Springsteen, Tom Petty, Dire Straits etc. However, I think original Bob Dylan fans from the 60’s & 70’s have found a new artist to embrace. Of course these older people were not at the recent Governors Ball or the North Side Festival shows, but I’m guessing someone smart figured out that Radio City is a comfortable & respectable enough venue to draw a generation who no longer goes to festivals and clubs.
Possibly the highlight of the show for me, other than simply geeking-out watching their incredible drummer Charlie Hall, was the live version of “Burning.” It was like a live remix that had a super funky, dirty, analog pulse running through it.
I was somewhat apprehensive about finally seeing Low live. I’ve been a fan of their music since their “breakthrough” album The Great Destroyer in 2004, and I was concerned that either the crowd would be talking & annoying the band (and me) or that I’d be bored, as they are not exactly visual or a high energy/dance-around type act. However the crowd was super respectful & as Sam & I walked in we got two seats right at the front of the mezzanine, we were blown away.
It’s really hard to describe how moving the show was. On the one hand, the delicateness of music & the beauty of both Alan Sparhawk and Mimi Parker’s voices actually made me cry, while the power of the distorted guitars were way heavier and far more transcendental than 90% of all the current slew of so-called Psych bands.